It’s possible to use these processors without knowing exactly how they work, but being more informed on what’s actually happening will allow you to use them more intentionally and more effectively.īut before we get into the effects themselves, let’s brush up on a bit of audio physics: The basics of phaseĪs you may already know, audio comprises sound waves. These processors are all related, and are often confused with each other, but they have notable differences that are worth pointing out. While there are lots of unique-sounding audio effects for sound design, there are a few you’re likely to come across time and time again: chorus, flangers, and phasers.
In a creative or sound design focus, however, we can take advantage of more specialized processors to create interesting sounds. In a mixing context, these are the most important plug-ins you’ll be dealing with. These can be (and often are) used in every project, being the main tools in a producer’s arsenal. Most producers are familiar with the most common audio processors: EQs, compressors, reverb, and delay.
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